A blacksmith has many apprentices working for him, and as a reoccurring game, every so week one of them succeeds at forging a key to let loose his pet monkey. The monkey goes wild, throwing stuff and breaking things until the blacksmith finally recages him and puts on a different lock. The ordeal has become costly. The blacksmith scolds the apprintices and makes them do the monkey catching, and puts them to extra work. The apprentices do find the extra work bothersome, yet they continue to pick the locks, releasing the monkey. The blacksmith is at his wit's end. He makes more and more complex locks, but everytime, one of his apprentices succeeds in solving it. The blacksmith asks for your advice. What should he do? He doesn't want to sell his pet monkey, nor does he have another place for it to stay.

We sound like Eden as a pair. Make us weight, we won't play fair. Sometimes consensus, most times schism. Usually locked away in prism. If by chance you seek, then throw. The serpent sees where we meet low. We carry freight when we meet high, But separate us, and we die.

Unlike other rulers I am strengthened by neglect. Over my jurisdiction, great taxes I elect. When routine dues are paid, I am weakened severely. Yet if too long delayed, it may cost you quite dearly. My vault is of the flesh, my tellers silver and bone. The upkeep of the kingdom is financed with a loan.

I have a heart that never beats, I have a home but I never sleep. I can take a mans house and build anothers, And I love to play games with my many brothers. I am a king among fools. Who am I?

You may think me an actor; people come from all over the world to see me play my role. The play begins like all plays do – the red curtain draws aside, and I come onto the stage. There is one other actor. He is dressed in beautiful, bright clothing. I, however, am entirely naked. There are many acts in this play, in between which the other actor helps me to get dressed before the curtain reopens. He dresses me in colorful piercings and a red coat. The story we tell is a tragedy through dance. My choreography is straightforward, but if he forgets his then the play is over. Either way, I consider this a once in a lifetime performance. What role do I play?

I'm the end that brings the end, I'm the one that hides. Shackles gird me waist to toe, Sealed in tower I. Ever tasked to make amends, Slowly here I die. My stricken foe you'll never know, His death is met with sigh.

Twice born but once it dies. A more feline obelisk then a dairy soar. Some to royalty will rise. When seen by many they're adored. What is it?